Meet the 2012 CRDM Cohort!

As we have for the 2010 and 2011 cohorts, we’d like to officially welcome the 2012 cohort of CRDM students into the program. We’ll be talking a lot about these students for the next four years, so we want to give you a short introduction to each:

Emily Jones

University of North Carolina Wilmington, Bachelor of Arts in Communication Studies in 2009 and Master of Arts in Environmental Studies in 2010.

Interested in small town cultural studies to peace communication and dance and music as a form of communication in international cultures (basically I love everyone)

Favorite website/meme:
http://hellogiggles.com/zooey-deschanel

Elizabeth Pitts

BA and MA in English, Georgetown University

Studies how digital technologies can enhance teaching and learning, and how these technologies are changing our ideas about authority and expertise.
Favorite websites/memes: edudemic.com, academiccoachtaylor.tumblr.com

Eli Typhina

B.A. Art and Environmental Studies from the College of St. Benedict and St. John’s University

M.A. Communication from Washington State University

Interested in using new media and creative communication methods (i.e. sculpture) to bridge the communicative gap between government agencies and communities concerning environmental issues (with a focus on water issues).

Molly Hartzog Storment
See also @HerzogStorment and
http://hastac.org/users/mhstorment

BA in English and Teaching English to Speakers of Other Languages certification from Mississippi State University, 2009; MA in English, with an emphasis in Rhetoric and Composition at NC State University, 2012

My research interests are broadly concerned with the rhetoric of science, technology and the environment. While in CRDM I am working with NCSU’s IGERT in Genetic Engineering and Society to study the social effects of transgenic pests, specifically the Aedes mosquito that transmits dengue virus.
Favorite meme: LEEROY JENKINS!


This is my favorite for two reasons: 1. It died before its time. 2. Sometimes it is a necessary (albeit not ideal) approach to getting things done.

Hector Rendon
See also @ValekRendon,facebook.com/valekrendon and valekrendon.com (in Spanish)

BA in Journalism at the National University of Mexico; MA in Digital Media at the Hochschüle für Künste Bremen.

My interests are related to digital journalism, news aesthetics patterns and the construction of reality through news stories. In the CRDM program I am mainly working in the connection between digital journalism consumption and how this affects people’s perception of the surrounding world.

Larissa Carneiro

Previous education: Master’s in Communication (PUC – Brazil)  and Undergrad in Communication and Journalism (FUMEC – Brazil)

Interested in the intersection between Media and Religion.

Alexander Monea

See also his Academia.edu page.

 

• MA in Literary & Textual Studies, Bowling Green State University

• BA in English, Walsh University

Research Interests: Media Studies; Code/Software Studies; History of Technology; Continental Philosophy; Cultural Studies; (Post-)Marxism; Political Theory (Democratic Theory, Public Sphere Theory); Aesthetics (Affect, Phenomenology).

My current projects have been focused on the development of electronic punch-card computers (Hollerith & IBM machines) to collect and process data on complex systems (demographics, psychographics, actuarial tables, ecosystems, etc.).

Favorite Meme: Reverend X – The One Man Show / Spirit of Truth

Come take a look, it’s on the blog (for 36 months and counting)

The CRDM student blog is celebrating its 36th month of existence. We wanted to take this opportunity to highlight some of the blog’s best posts and series. But you don’t have to take our word for it!

What to Expect When You’re Expecting (To Start Your Next Year in the Program): This four-part series on how to be a CRDM student walks though each year and offers some stellar advice.

CRDM faculty Q + A: We take classes with them and work with them on scholarly projects, but now we’d like to learn more about what else they’re doing. We checked in with David Rieder, Jessica Jameson, Chris Anson, Matt May, David Berube, Susan Katz, Maria Pramaggiore, Susan Miller-Cochran, Robert Schrag, Carolyn R. Miller, Brad Mehlenbacher, R. Michael Young, Jason Swarts, Adriana de Souza e Silva, Elizabeth Craig, Andrew Binder and Victoria Gallagher.

How to get published:  CRDM professors Dr. Jason Swarts, Dr. Chris Anson, Dr. Susan Katz, and Dr. Carolyn Miller explain how to turn a seminar paper into a publication. Infographics ensue.

Dissertations and ABD announcements: Have you ever wondered what CRDM student dissertations look like? Want to know which CRDMers have passed their oral exams? We’ve got you covered. 

Where in the world are CRDM grads? We’ve mapped where each CRDM grad is currently working. Spoiler: CRDMers work all across the country (and the world).

Advice posts: the blog also features some excellent advice and inspiration, covering topics spanning from the ABCs of ABDs to innovative seminar papers, from Peruvian research projects to notes on NCSU-hosted conferences.

Publications: CRDM students are regularly publishing their research in a wide variety of scholarly venues. We periodically collect these publications and brag ‘em up a little. For our past braggings, click here, here, here, and here. To be included in future braggings, you should 1) become a CRDM student, and 2) watch your inbox–we’ll send out a call for your publications later on this semester.

Image credit: Lauren Clark

Pun credit: PBS/Lavar Burton

CFP: Emerging Genres, Forms, and and Narratives in New Media Environments

The CRDM program at NCSU is pleased to announce the CFP for our 4th annual research symposium, organized by Carolyn R. Miller.  We hope you’ll join us in Raleigh for the event this spring!

Call for Papers
Emerging Genres, Forms, Narratives—in New Media Environments
Research Symposium
19–20 April 2013
Program in Communication, Rhetoric, and Digital Media (CRDM)
North Carolina State University

Submission deadline: 1 February 2013

Digital media have enabled what impresses most observers as a dizzying proliferation of new forms of communicative interaction and cultural production, provoking all manner of multimodal experimentation, artistic and entrepreneurial innovation, adaptive construction and reconstruction, and a good deal of just plain play. Hyperlinking, interactivity, and crowdsourcing change our narrative strategies and structures. Some of these new forms go viral, some persist, some adjust incrementally, others languish or are rapidly replaced by something else. Scholars in multiple fields have begun to explore these processes of emergence, innovation, and stabilization, many of them working with the concept of genre, which has become newly important in rhetoric, literature, game studies, library and information science, film and media studies, applied linguistics, and elsewhere. As social recognitions that embed histories, ideologies, contradictions—as sites of inventive potential—as recurrent social actions—genres are constitutive of culture, in Giddens’s sense. Genre systems can tell us a great deal about social values and cultural configurations; narratives tell us who we are and who we want to be; rhetorical and poetic form offers recurrence, recognition, satisfaction.

The 2013 CRDM Research Symposium will explore through both theoretical inquiry and case studies these processes of emergence, innovation, and stabilization as rhetorical energy meets the affordances and constraints of new technologies. Issues of interest include the relationship(s) between medium (or technological affordances) and the evolution and stabilization of genre conventions; historical examples of genre emergence when old media were new (print, film, phonography, radio, television, etc.); the re-mediation or adaptation of familiar forms and narratives in new media; the potentialities of new combinations of modalities, of sound and text, image and word; the processes of global distribution, uptake, and modification of historically and culturally situated forms and narratives; the emergence and assimilation of new forms and genres in education, science, religion, and politics.

Sponsored by NC State’s doctoral program in Communication, Rhetoric, and Digital Media, the annual CRDM Research Symposium brings together faculty, graduate students, invited speakers, and other participants to engage in collective inquiry and dialogue on a topic of interdisciplinary interest.

Keynote speakers for 2013 include Janet Giltrow (University of British Columbia), Lisa Gitelman (New York University), David Herman (Ohio State University), and Neil Randall (University of Waterloo Games Institute). For a full list of our keynote and featured speakers, please see the Speakers page.

We invite participation from CRDM faculty and graduate students; from other departments and programs across NC State University; from other universities and colleges, and from corporate, governmental, and academic institutions throughout the Research Triangle and at the national and international levels. We welcome two main types of submissions: (1) traditional paper presentations, and (2) digital projects or installations. To present a paper, please submit a 250 word proposal by 1 February 2013 through the submission portal on the conference website (Please note: you must have an account with the site to submit a proposal). To present a digital project, demonstration, or installation, please submit a 250 word proposal/description of the installation. Additionally, please include as much detail as possible about your space and technology requirements. Notifications will be sent on 15 February 2013.

Joint Event with Carolina Rhetoric Conference
The 2013 CRDM Research Symposium will be held jointly with the annual Carolina Rhetoric Conference (CRC), a graduate student conference organized cooperatively by students in rhetoric at Clemson University, the University of South Carolina, and NC State University, and hosted this year by CRDM students and the NC State chapter of the Rhetoric Society of America. The CRC is open to any graduate students interested in rhetorical studies. Several events will be held jointly by the CRC and the CRDM Symposium on Friday, and participants in each event will be able to attend sessions at the other.

Publications and Media Archives
We plan to publish selected papers from the Symposium as an edited volume and/or special journal issue related to the theme and to make videos of Symposium presentations available on the CRDM website. The CRC plans to create a podcast series. More details will be available later.

CRDM Advice: Dr. Jason Swarts on Scholarly Publications

I recently caught up with Dr. Jason Swarts of the CRDM program to get his thoughts on the art of scholarly publication. Here is his advice:

 

And here is the “source code” for the infographic (aka Dr. Swarts’s original answers):

What would prevent a seminar paper from being publishable?

Two things come to mind. The first is that seminar papers frequently address an audience of fellow classmates, all of whom share a common understanding and awareness of the readings and the importance of the issues they raise. This common understanding is reflected in seminar papers which tend to have weaker stated exigence because the importance of the topic is taken for granted. The second thing is that many writers tend to approach the literature review in a seminar paper as an occasion to demonstrate a comprehensive awareness of the literature read. Published papers take a much more strategic and selective approach to the literature review, organizing the sources chosen to reveal a gap in our knowledge.

What is the most important element of a publishable paper?

For me, it is that you need to make a clear argument about why your research needs to exist. What is the exigence driving the paper? How does it fit in with what we (in the field) already know and need to know? It is often not enough simply to say “nobody has studied this before” because that is true of many topics — sometimes with good reason.

How do you go about *beginning* the process of writing an academic paper?

I usually pick a topic first and decide what it is that I want to say about it. Then I try to fit the topic to a journal. After selecting a journal, I always read a few recent articles to get a sense of the audience that the authors are addressing.

Any other advice or suggestions about the topic of academic publishing? 

Academic publishing takes a long time, and if you want to get a piece in print and on your CV before you go on the market, there is no time to waste. A realistic timeline to publication would be something like 19-20 months. This assumes 3-4 months for the review of your initial manuscript, 1 month to work on revisions (for a revise and resubmit), 3-4 months for review of the revised manuscript, and 1 year waiting in the journal’s publication queue.

The other piece of advice is to keep in mind that it is exceedingly rare that an article is accepted for publication “as is.” Most articles that a journal editor feels are capable of being worked into publishable shape will come back to you as “revise and resubmit.”

 

CRDM Advice: Dr. Chris Anson on Scholarly Publications

I recently caught up with Dr. Chris Anson of the CRDM program to get his thoughts on the art of scholarly publication. Here is his advice:

 

And here is the “source code” for the infographic (aka Dr. Anson’s original answers):

What would prevent a seminar paper from being publishable?

Here are some common reasons why submissions (from anyone, not just students) are not accepted or sent back for major revision:

–Not enough familiarity with the journal or context of publication

–Shallow lit. review or some indication the writer doesn’t know what has preceded his or her idea, theory, research, etc.

–Poor methodology or poorly described methodology

–Too localized a study (e.g., when someone does a study that’s very specific to a program or institution and it doesn’t generalize to other contexts)

–Poorly structured or stylized writing, writing that’s trying too hard to sound sophisticated, writing that’s filled with errors and not carefully edited and proofread, or writing that shows the writer doesn’t understand the conventions of the community

What is the most important element of a publishable paper?

It needs to contribute to and advance existing knowledge.

How do you go about *beginning* the process of writing an academic paper?

I’m usually engaged in an investigation of some sort, and then I begin thinking about contexts where my work might be of interest to readers. I also keep a notebook of ideas that could yield studies or research that’s potentially publishable. Also, putting in a proposal for a conference paper (if it’s accepted) forces you to complete enough work to make your ideas presentable, and the results are then more easily transformed into a publishable piece.

Any other advice or suggestions about the topic of academic publishing? 

–Once you start a project, keep it open on your screen. Never close it. Every time you look at the screen, the text is there, inviting more work. Even if you reread a bit and then write for five minutes, or just revise and edit, you’re moving it forward.

–Set aside a modest amount of time every day to work on your research agenda, then stick to it.

–Create a flowchart of ideas, seminar papers, conference papers, and the like, and literally map their way to publication. If a piece is rejected, add to the flow chart (e.g., revise and submit to another journal). The visual nature of the chart helps you to keep track of what’s in the hopper and what you need to do next.

CRDM Advice: Dr. Susan Katz on Scholarly Publications

I recently caught up with Dr. Susan Katz of the CRDM program to get her thoughts on the art of scholarly publication. Here is her advice:

 

And here is the “source code” for the infographic (aka her original answers):

What would prevent a seminar paper from being publishable?

In recent years, I have noticed several recurring problems with manuscripts that I have reviewed. Note that these are not necessarily ms. that were written by grad students! (1) Poor organization. (2) Insufficient research (inadequate literature review). (3) Minor grammatical and typographical errors that interfere with comprehension (PROOFREAD!). (4) A general lack of consistency and cohesion.

What is the most important element of a publishable paper?

Implications. The readers have to see the value in what you have written about. Ideally, the study will have implications for teaching, future research, and practice, but it MUST have implications for at least one of those areas.

How do you go about *beginning* the process of writing an academic paper?

I’m a serendipitous researcher, which means that I just pay a lot of attention to what’s going on around me. I listen to colleagues for the possibilities of collaborative work, respond to suggestions that arise from reading or discussion from courses I teach, and get involved in various groups around campus that are of interest to me. I also just try to pay attention to what I find really interesting and see if there is something that I can contribute to the conversation on that topic. When I actually start writing, I’ll try to tailor the project to a specific journal. I will, on occasion, discussion the paper with the journal editor first to see if they would be interested.

Any other advice or suggestions about the topic of academic publishing? 

Don’t get discouraged if an initial draft is rejected. When I was a graduate student, the first paper I submitted to a journal was rejected. I read the first paragraph of the rejection letter, and then stuffed the whole thing back in the envelope (this was before electronic submissions). I never even looked at the feedback to see what I might have done to revise the paper or if they had suggestions about other venues that might have been more appropriate! Learn to take criticism as something helpful–most reviewers are going to want to help you improve, they’re not just being mean. And just keep at it.

CRDM Advice: Dr. Carolyn Miller on Scholarly Publications

I recently caught up with Dr. Carolyn Miller of the CRDM program to get her thoughts on the art of scholarly publication. Here is her advice:

And here is the “source code” for the infographic (aka Dr. Miller’s original answers):

What would prevent a seminar paper from being publishable?

I’d say there are two issues that distinguish a seminar paper from a publishable essay, and these are related to each other: audience and scope. A seminar paper is produced within the hothouse context of a graduate course and responds to the particularities of that class, its professor and other students, the curriculum into which it fits, and the developing comprehension of the student-as-author. It’s a turn in a particular conversation. A publishable paper has to position itself within a national disciplinary context, which is a conversation of longer standing and broader scope. Positioning one’s work within that disciplinary conversation on an equal footing with other participants is one of the most important things one works on in graduate school.

What is the most important element of a publishable paper?

It’s always difficult (and probably misleading) to fasten on “one thing” as the most important, so my answer is going to be unhelpfully vague. The most important thing a publishable paper has to do is to make a contribution to that disciplinary conversation that others recognize and value as a contribution.

How do you go about *beginning* the process of writing an academic paper?

In my experience, the process of developing a publishable essay never proceeds the same way twice, so it’s hopeless to look for a method or recipe for success. Many different starting points can serve to crystallize an intellectual exigence to get you going. Once you are embedded in a disciplinary conversation (or, usually, more than one), what you do is always conditioned by (disciplined by) that conversation from the beginning. It’s your training and your reading that make an issue interesting in light of the concepts and previous work through which you see it. This is not to say that you see everything the way that everybody else does–if that were the case, you couldn’t have anything to add. But you need to be alert to degrees of sameness and difference.

John Swales gave a workshop for grad students at Carleton University in Ottawa recently before the Genre 2012 conference there in which he addressed this very question, demonstrating the variety of starting points for his work as an applied linguist (moving into a new building, getting a digitally produced taxi receipt, a conversation with a student) and the differing fates of his ideas, some of which percolated for years, some of which were published promptly, some of which were discarded for various reasons.

Any other advice or suggestions about the topic of academic publishing? 

Don’t get discouraged by a “revise and resubmit” response from a journal. Few submissions are accepted as is, even from experienced senior authors. Publishing is a negotiation process with the disciplinary audience for their attention and credence, a process that begins with the editor and the peer reviewers. If the reviewers are misreading your work, don’t dismiss them as stupid or stubborn, but rather revise so as to prevent such misreadings. And you can’t–and don’t have to–please all of the readers all of the time. If you are given conflicting advice, select which line of revision to follow and justify and explain your choice to the editor. Etc. And never digest and interpret an editor’s decision on your own but consult your advisor, your committee members, your colleagues. Give yourself some time, and then go back to it. And, because academic publishing is a slow, thoughtful process, keep several things in the process at once, as there will be long periods while reviewers and editors do their work.

Dr. Victoria Gallagher

Over the course of the past few months the CRDM blog periodically featured a Q + A with one of our outstanding faculty members. We take classes with them and work with them on scholarly projects, but now we’d like to learn more about what else they’re doing. We’ve talked with David Rieder, Jessica Jameson, Chris Anson, Matt May, David Berube, Susan Katz, Maria Pramaggiore, Susan Miller-Cochran, Robert Schrag, Carolyn R. Miller, Brad Mehlenbacher, R. Michael Young, Jason Swarts, Adriana de Souza e Silva, Elizabeth Craig, and Andrew Binder, and we recently caught up with Victoria Gallagher, Professor of Communication and Associate Dean of Academic Affairs and Graduate Studies for NCSU’s College of Humanities and Social Sciences (CHASS):

What are you reading?

So much to read, so little time!
Scholarship: Bradford Vivian’s Public Forgetting: The Rhetoric of Politics and Beginning Again
Historical: David McCullough’s Mornings on Horseback: The Story of an Extraordinary Family, a Vanished Way of Life, and the Unique Child Who Became Theodore Roosevelt (talk about a long title!)
Aspen Institute Deans Seminar (Citizenship in the American and Global Polity) Reading List: Declaration of Independence, Preamble to the Constitution, selections from the founding fathers, selections from Lincoln, Plato, Aristotle, Confucius, Hobbes, Rousseau, Thucydides, Macchiavelli, Dewey, Robert Bellah, MLK Jr., Ella Baker, Fareed Zakaria, Reagan, Obama, Ayaan Hirsi Ali, Aung San Suu Kyi.
Administrative: Annual reports, program proposals, etc. and Barbie Zelizer’s edited collection: Making the University Matter.
NC State’s Common Reading Book: Rye Barcott’s It Happened on the Way to War: A Marine’s Path to Peace.

What classes are you teaching?

Given my duties as Associate Dean of Academic Affairs for the college, I am currently not teaching any seminars but I am conducting readings courses with individual doctoral students from time to time. Topics for the most recent of these include: visual and material rhetoric, memory in rhetorical and media studies, theories of the public.

What are you writing about?

a place of rhetoric, or a rhetorical place?

Visual Wellbeing, a theoretical and critical framework I, and several of my former doctoral students have developed.
Rhetoric and Commemorative practices
Rhetoric and Public Art/Art in Public Spaces
Urban Communication and the Rhetoric of Space/Place

What are you listening to?

Jack Johnson (great summer music!)
Adelle (sometimes you just got to let it all out)
Ramsey Lewis
Michael Franks

What are you watching?

Films: The Bourne trilogy
TV: Masterpiece Mysteries, particularly the new Sherlock Holmes series (set in the contemporary moment).

Interview with Dr. Carolyn R. Miller on Figure/Ground Communication

CRDM’s own Dr. Carolyn Miller was recently interviewed by Mridula A Mascarenhas of the interdisciplinary research website Figure/Ground Communication (click here for our informal interview with her last semester). The following was taken from the introduction to the interview:

Carolyn R. Miller is SAS Institute Distinguished Professor of Rhetoric and Technical Communication at North Carolina State University, where she teaches graduate and undergraduate courses in rhetoric and technical communication for the Department of English and the interdisciplinary doctoral program in Communication, Rhetoric, and Digital Media, of which she was founding director. She is a past president of the Rhetoric Society of America, past editor of its journal, Rhetoric Society Quarterly, and was named a Fellow of the Society in 2010. She has also held offices in the ASHR, ARST, ATTW, CCCC, and MLA. Her research interests are in digital rhetoric, genre studies, rhetorical theory, and rhetoric of science and technology. Her publications (she realizes in retrospect) are a series of attempts to figure out the conceptual vocabulary of rhetoric: invention, kairos, community, ethos, pathos, genre. She has lectured and taught in North America, Norway, Denmark, Italy, South Korea, and Brazil. She is currently working on Genre Across Borders, a web project to provide scholarly networking for genre researchers across disciplines and around the world.

Click here for the full interview. 

Dr. Andrew Binder

Over the course of the next few months the CRDM blog will periodically feature a Q + A with one of our outstanding faculty members. We take classes with them and work with them on scholarly projects, but now we’d like to learn more about what else they’re doing. We’ve talked with David Rieder, Jessica Jameson, Chris Anson, Matt May, David Berube, Susan Katz, Maria Pramaggiore, Susan Miller-Cochran, Robert Schrag, Carolyn R. Miller, Brad Mehlenbacher, R. Michael Young, Jason Swarts, Adriana de Souza e Silva, Elizabeth Craig, and Victoria Gallagher, and we recently caught up with Andrew Binder, Assistant Professor in the Department of Communication and associate director of the Public Communication of Science and Technology (PCOST) Project.:

What are you reading?

This past weekend I finished The Walking Dead: Compendium One, which collects the first 8 volumes of the ongoing comic book series. (The comic presents graphic situations they could never translate to television, which—compared to the AMC show—makes it infinitely more interesting.) Current novels include A Hologram for the King by Dave Eggers and Les Particules élémentaires by Michel Houellebecq. In the academic realm, I am finishing up Thinking, Fast and Slow by Daniel Kahneman. And a number of books and articles on risk.

What classes are you teaching?

In July I’m travelling to Peru for two weeks to help teach the IGERT course “Genetic Pest Management in Developing Countries.” Part of the course will involve a two-day conference in Lima hosted by Universidad Nacional Mayor de San Marcos Pontificia Universidad Católica del Perú, which will feature guests from other Latin American countries that are developing genetically modified mosquitoes. Should be a fascinating mix of interdisciplinary perspectives on issues of transgenic organisms.

This fall I’m looking forward to piloting a CRDM course, “Empirical Social Science Methods for Digital Media Research,” and teaching the second iteration of an undergraduate course on “Mass Media and Politics.”

What are you writing about?

This week, I’m submitting a book proposal that further develops the ideas I explored in my doctoral dissertation regarding public opinion of science & technology, the social dynamics of risk perception, and media discourse about high-risk research. There are also a number of other articles to be written using those same data, which I hope to complete this summer.

What are you listening to?

With June 16 marking the 15th anniversary of OK Computer, I’ve been listening to that quite a bit lately. Otherwise, it’s been a reliable rotation of North Carolina blue grass (e.g., Steep Canyon Rangers, Chatham County Line, Doc Watson, the Avett Brothers’ Emotionalism), 1990’s/2000’s hip hop (e.g., Jurassic 5, Tribe Called Quest, Wu Tang Clan’s Enter the Wu-Tang), and Glenn Gould’s performance of Bach’s The Well-Tempered Clavier.

And I’m about to start selectively re-listening to the CBC podcast series “How to Think About Science” (
http://www.cbc.ca/ideas/episodes/2009/01/02/how-to-think-about-science-part-1—24-listen/
).

What are you watching?

Euro 2012. NASA’s video compilation of the recent transit of Venus (

). The $5 comedy specials of Louis CK and Aziz Ansari. And re-watching the complete series Mr. Show.